Elaine Young, Director
Elaine grew up in London, England, where she studied Classical Ballet, Jazz and Tap dancing. At the culmination of each year she attended the Royal Academy of Dance (RAD), and took her examinations in all three disciplines. She taught Ballet and Tap in New Canaan for three years before opening the Academy in 2001. Elaine lives in New Canaan with her husband and they have two children, and two grandchildren. Elaine is extremely excited about the start of the Academy’s sixteenth year.
Molly Booth, Company Director
Molly, originally from San Jose, CA, majored in Theater and minored in Dance at the University of CA, Riverside where she studied tap under Fred Strickler. Performance credits include the first National Tour of Happy Days The Musical, a 2010 tour in England singing and dancing alongside the British swing band The Jive Aces, as well as in many Regional Theater productions throughout California. Molly has won numerous awards for her choregraphy, including Los Angeles Ovation Award nominations in 2011 and 2012 for her work for the Troubadour Theater Company, the 2012 Back Stage Garland Award, a Broadway World L.A. nomination for her choregraphy of A Christmas West Side Story, and a Broadway World San Francisco Award in 2013 and 2014 for Best Choreography for her work with the Transcendence Theatre Company. Molly was awarded placement in three consecutive years from 2012-2014 in the SDC Foundation's Observership Program, which offers participants the opportunity to observe Broadway and Off Broadway Directors and Choreographers as they stage their productions. In addition to being a member of AEA and SAG/AFTRA, Molly is an adjudicator for Beyond the Stars. Molly Joined NCDA in 2014.
Sheena DiMatteo, Company Coach
Sheena, originally from Pittsburgh, PA, is a NYC-based choreographer, dancer, and teacher with a B.A. in Dance from Point Park University. Sheena is currently the house choreographer for The Cutting Room's "Rock 'N Roll Debauchery" show series in Manhattan. She has performed with Pittsburgh Civic Light Opera, Lucille Lortel Theater, Pittsburgh Playhouse, and West Virginia Public Theater. Shows: Little Shop of Horrors, 42nd St.!, The Producers, West Side Story, Will Rogers Follies, The Velveteen Rabbit, On the Town, How to Succeed… and Contact. Sheena is the on-screen host of the YouTube show, Just Dance: Season One, on DanceOn Network, and has performed in music videos, web series, flash mobs, concerts, showcases, and industrial events in NYC, including the Phish Madison Square Garden New Year's Eve Concert. She has danced with Stiletto Entertainment on the M.S. Oosterdam (Holland America Line) and for Revel Casino in Atlantic City. Sheena is the founder and artistic director of the traveling choreography shop: Dance In Transit. Sheena has choreographed 14 full-scale musicals for pre-professional theatre camps in PA and NYC, is a certified Zumba instructor, and is a faculty/judge for Dancers Inc. and Beyond the Stars. Sheena joined NCDA in 2011.
Alexis Andrews began her ballet training in Reno Nevada under the direction of Maggie Banks and Dr. Barbara Land. Her training continued at Walnut Hill School for the Arts, the School for American Ballet Theatre, San Francisco Ballet School, and the Joffrey Ballet School. She earned an MA from NYU Steinhardt in Teaching Dance in the Professions: American Ballet Theatre Ballet Pedagogy, and is an ABT Certified Teacher in Primary through Level 7 of the ABT National Training Curriculum. Alexis has performed with the Nevada Festival Ballet, American Ballet Theatre School, University of Las Vegas' College of Dance, and as a Principal guest artist with the A.V.A. Ballet Theatre in productions of Swan Lake, Nutcracker, and Sleeping Beauty. Other performing credits include the Bollywood movie Jai Cherenjeva, and the Prasana Bharata Natyam Dance Ensemble in Bangalore, India. She has taught and adjudicated for Dance Educators of America, and Sheer Talent Ltd., and is on the faculty of The American Ballet Theatre JKO Children's Division. Alexis Joined NCDA in 2014
Annelise is originally from Boston and graduated Summa Cum Laude from Northwestern University with a BA in Theater and a minor in dance and English. Annelise’s concentration since graduation has been in dance, acting and voice training, and performance credits include Jeannie Muldoon in Nice Work If You Can Get It; Frou Frou in The Merry Widow (directed by Susan Stroman); Dream Laurey in Oklahoma; and Graziella in West Side Story. Co- and Assistant choreography credits include The Pajama Game, and The Waa-Mu Show, the oldest and largest university funded theater production in the country, creating original work in musical theater. Annelise’s teaching experience includes the Foster Dance Studio in Chicago, as well as STEPS on Broadway, and her dance training includes Acro. Annelise taught for NCDA for part of 2015 season, and we welcome her for the full 2016 season.
Gina is originally from Miami, Florida, and graduated with a BFA in Dance from the Boston Conservatory, which was founded in 1867 and was the first school in the U.S. to offer a professional training program with equal emphasis on ballet and modern dance. Performance credits include: Keigwin + Company, whose work has been commissioned by The Juilliard School, The Martha Graham Dance Company and New York City Ballet; Brice Mousset’s Oui Danse, known for its dance style that pushes the limits of physicality and artistry and is a REVERBdance award winner and acclaimed performer at Jacob’s Pillow Dance Festival and at Ailey Citigroup Theater; Broadway Bares, which raises over $1.4 mio for Broadway Cares/Equity Fights AIDS under Director/Choreographer Nick Kenkel; Emily Thomas’ Midnight music video.
Gina is a certified Pilates instructor, and trained to Level 6 in Gymnastics and joined NCDA in 2016
Taylor is originally from Worcester, Massachusetts, training at the Charlotte Klein Dance Centers before attending Marymount Manhattan College with a major in Dance. Performance credits include Transcendence Theatre Company, Peter Pan Benefit Concert, Broadway Takes Two (Principal), Get Ready (Dance Captain), Buenos Aires (Lead), Nick Kenkel’s Burlesque (Featured Dancer) and AIDACara (Aida Cruise Line). Taylor has worked on several occasions with award winning Broadway choreographer Josh Prince (Shrek, The Musical and Beautiful - The Carole King Musical). Taylor has been selected by Josh Prince to be a member of his Broadway Dance Lab (BDL), a choreographers’ “incubator” where dance artists can experiment with their creative ideas. Performance credits with BDL include Broadway Dance Lab: Trevor the Musical and Broadway Dance Lab Cycle 2 (Featured Dancer). Taylor was the Dance Masters of New England’s 2012 Miss Dance of New England. Taylor joined NCDA in 2016.
Alex is originally from Winnipeg, Canada, where she trained at the Royal Winnipeg Ballet School, studying all styles of dance, and went on to graduate magna cum laude with a BFA in Musical Theater from The Boston Conservatory. Performance credits include being in the original Broadway cast of Soul Doctor the Musical, played the first singing role of the character Anybodys in West Side Story in its first National tour of the U.S., Canada and in Tokyo, Japan at the Theatre Orb, and toured with Rodgers and Hammerstein's Cinderella. Alex appeared as a top 10 finalist in Canadian Broadcasting Corporation’s reality TV show Triple Sensation, a search for talented young people who can sing, act and dance. In addition to stage performance, Alex has adjudicated and taught all over North America. Alex joined NCDA in 2016.
Mary Kate Hartung
Mary Kate is originally from Wisconsin and is a graduate of NYU’s Tisch School of the Arts and The Salzburg Experimental Academy of Dance, an internationally recognized school and center for contemporary dance and choreography. Performance credits include two Cycles with Josh Prince’s Broadway Dance Lab, New Year’s Eve with Phish at MSG (Kuperman Bros), Wendy in an Immersive Peter Pan (Broadway Asia), PULP at Radio City (Michael Clark), Tree Frog in Stonehenge (Twyla Tharp, original cast), Aldo Shoes commercial (Refinery 29), The Lucille Lortel Awards opening number (Kuperman Bros), Park Ave Armory 2015 Gala (Larry Keigwin), and Continuous Relations (Kyle Abraham, original cast). Mary Kate joined NCDA in 2016.
Luis Espinosa, otherwise known as B-Boy Sweet Lu, started with a passion for wrestling while attending Harding High School in Bridgeport, CT. In 2004, after being a three-time state champion and winning an FCIAC title multiple times, he decided to pursue his new passion - Breaking. Luis hasn't stopped since, and went on to being co-founder of the CT-based crew, "United Outkast" which can be seen in Step Up 3-D, and later joined the world-renowned crew "Dynamic Rockers". In 2009, Luis was part of the B-Boy World team, and began travelling internationally to compete as well as host events for the Pro Breaking Tour. He founded his own concept event, "Sweet-Lu's Crazy Eight's", an annual Urban Dance & Educational Foundation (UDEF) battle in Connecticut involving some of the world’s best Breakers. Luis also produces and writes music, under his artist name "Luis Alien". Luis joined NCDA in 2016.
Noah Gouldsmith is a native of Kansas City, MO and is now based in New York City. He trained in many disciplines of dance since the age of 3 at his Grandmother's dance studio (Jo Noth's White Oak Dance Academy). His professional career has taken him all over the world dancing and teaching. Noah has been a featured dancer in production shows for Princess Cruise Lines, Carnival Cruise Lines, and Spirit Productions/Dublin Worldwide Tours. He has also worked with the Odyssey Dance Theatre in Salt Lake City, UT and performed pieces for New York City Dance Week. He was a featured dancer/gymnast in the Jersey Nights World Tour. Noah originated the Tybalt track in Rasta Thomas' Bad Boys of dance Romeo and Juliet, for which he also toured Europe. Noah danced in the 1st National Tour of Flashdance The Musical and has performed in Radio City's New York Spectacular, choreographed and directed by Mia Michaels. Noah has been a sub for NCDA in 2015 & 2016, and joined full-time in 2017.
Melissa, originally from New Jersey, graduated summa cum laude with a BFA in Dance from the University of Buffalo, where she received broad-based training to the Advanced level in multiple dance disciplines. Performance credits in Regional and NYC theatre include “Anybodys” and “Velma” in West Side Story, 92nd Street Y’s Broadway Takes Two, tap dancer in Al Blackstone’s 27th Annual Gypsy of the Year, which is Broadway’s fundraiser for Broadway Cares, as well as his Capezio Fashion Show, dance captain in productions of Evita, My Fair Lady, and Annie Get Your Gun. Choreography credits include Mame, Macbeth, as well as numerous University of Buffalo productions. Melissa is the founder and Director of the NJ Dance Project, which provides young, talented dancers a platform from which they can explore performance opportunities that reach beyond studio recitals and competition performances. Melissa joined NCDA in 2017
Elliott Keller is originally from Rochester, New York, and received his BFA in Dance from the University at Buffalo, and spent his summers training with the Joffrey Ballet School, the Parsons Dance Company, Paul Taylor Dance Company, and Limon Dance Company. Professional credits include the Melanie Aceto Contemporary Dance Company, the all-male Project 44 Dance Company, the multi-genre, hybrid styles of the BalaSole Dance Company, Celebrity Cruises, Busch Gardens in Williamsburg, VA, Mike Moloney Entertainment (Las Vegas), and Poet Theatricals (Florida). Notable projects and performances have taken him around the world, performing on stages such as the Alvin Ailey Citigroup Theater and the Jacob's Pillow Inside/Out Stage as well as with the New York Philharmonic Orchestra. In addition to performances with Companies, Elliott has created new pieces for the Zodiaque Dance Company, University of Buffalo’s pre-professional group. Elliott joined NCDA in 2017.
Roya, an Iranian-Hispanic choreographer, dancer and educator who works within commercial, film, and theatrical settings, received dance training as a fellowship student at The Alvin Ailey School, and at Springboard Danse Montreal. Roya holds a BFA in Dance with Honors from UC Irvine. As a choreographer, Roya’s work has been presented at CURRENT SESSIONS, Baruch Performing Arts Center, and The Green Building in New York City; and in California, she has presented at Highways Performance Space, Electric Lodge Theater, Glenn Wallichs Theatre, and BRAVA. Performance credits include Barak Marshall at BodyTraffic, Bryan Arias, Danielle Russo Performance Project, Lux Boreal Danza Contemporanea in Tijuana (Mexico), and California Riverside Ballet, Intersect. Roya has been a resident choreographer for Columbia Ballet Collaborative of Columbia University, and has taught ballet, contemporary, and improvisation at Peridance Capezio Center, American Musical and Dramatic Academy (AMDA), Riverside Ballet Arts, Riverside City College, Pasadena Dance Theater, and Brockus Conservatory. Roya joined NCDA in 2017.
Kristen, originally from Toronto, graduated with a BFA, Highest Honors, from the New World School of the Arts (Miami, Fl). Kristen’s performance credits include The New Year’s Eve Phish Concert at MSG, Tangente’s Danses Buissonnieres (Montreal), The New Prague Dance Festival (Czech Republic), Conteur Dance Company (Toronto), Frog in Hand (Mississauga), ISODOC Dance Group (New York) and Project Limb (New York). Choreography credits include Joseph Gordon Levitt’s My Favourite Things video and in Supa’Nova. Kristen is co-founder of Toes For Dance, an outreach and exchange initiative that provides a platform for dance education and artistic exchange. Kristen has been the recipient of the Florida-Canada Linkage Scholarship (Outstanding Dance Graduate), and the Frank Augustyn Scholarship, and has been featured in Dance Current Magazine, Dance Studio Life Magazine, and on Rogers TV’s Local Notes. Kristen joined NCDA in 2017.
Emma is from New Canaan, CT and graduated with a Dance Major (Performance Concentration) from Muhlenberg College. Her Performance Concentration comprised intensive daily studio training, with an emphasis on choreography and live performances, as well as a solid historical and theoretical background in dance. With a heavy emphasis on concert-style presentations, performance opportunities came with up to eight main concerts annually, as well as numerous more informal, student choreography-driven presentations. Emma was a featured choreographer and dancer in several of these concerts. Prior to College, Emma was a member of NCDA’s Company, and we are excited to welcome her on board as a Faculty member. Emma joined NCDA in 2017.